Hidden Scars

Ashleigh Johnson is the world best female waterpolo goalkeeper, a five time World Champion and two times Olympic Gold medalist. In 2016 she became the first African-American woman to make a U.S. Olympic Women’s Water Polo Team. She is also a Princeton graduate. After I photographed the 2020 US Waterpolo Olympic campaign, I it was clear to me that I needed to paint this extraordinary woman. Not a normal portrait in oil. I wanted to go deeper and show the HIDDEN SCARS that come with the hard and persistent work to become the world’s best. The 60x60 inch painting has multiple layers of thick, large oil paint brushes and unfolds a three dimensional feel best in very low light. The strength, power and beauty of Ashleigh’s soul is what I wanted to show with this painting. See what she says about it below.

HIDDEN SCARS 2020 Oil on canvas private collector

“The first time I looked at the piece  that Poby painted of me, I was in shock because there was a larger-than-life size version of my face depicted on the wall in such a beautiful way that I couldn’t believe it! After a few moments of reflection, I started to see the painting a little differently, I felt a sense of awe at the depth of possibilities it represents. The strength, power, and confidence captured in those brush strokes are not just characteristics; they are aspirations. Poby’s painting is not me; it's a version of me that others see and that I want to be. It's a reminder of the resilience required to push through challenges and the beauty that comes from dedication and hard work. I and so many others aspire to the athlete and woman portrayed in that painting, knowing that with perseverance and determination, we can embody those qualities in our own lives. For me, this painting is a representation of the impact we can have on others, inspiring them to reach for their own greatness, as athletes and as people.
This work says a lot about who Poby is as a person and an artist. He is dynamic, insightful, and the beauty that he captures in his work is multidimensional. This beauty requires a second look, a third look to see and it reflects and then evolves. I’m excited to see what he creates next.”

-Ashleigh Johnson

More photographs of painting and details of brush strokes.

Woody Harrelson and Paintings

Life is full of surprises. My whole career is about photography in all forms. Only few know that I am also painting large format portraits in oil. While chilling with Woody Harrelson, after a photoshoot for Canabis Now Magazine, Woody asked me if I would like to hang my art pieces in his dispensary THE WOODS in West Hollywood, specially since they had planned a huge anniversary party.
There was only one answer: Hell, yes! I had three days to make it happen. And what a brilliant night it was! Grateful to be part of this. If you are around, go and see it in real and lounge in the garden. It's a magic place.

More here : https://www.pobycollection.com/the-woods

Poby's Photographs Inspire Me

By David Stitch, owner and creative director of Stitch NYC

I just want to leave a short note on why Poby’s underwater world is so special and unique.
He is a former pro athlete [German Waterpolo Team] who studied graphics, art and painting in Germany and made it his passion to connect these two worlds. His underwater photography shows this so brilliantly. The craft to create under water while paying attention to all the details, like the lighting, the movement, the models expression and the background is hugely underrated. The lofty and beautiful look in his under water photographs draws the viewer in immediately. This is why I had to get a large format version of his piece “mediate”. When I come home and see Poby’s beautiful photograph I’m immediately at ease and peaceful. His photography inspires me.

My ‘Meditate” in my living room, Brooklyn, NYC

This is the animated version of my “meditate” piece which will eb available as NTF early next year.

Analog, Large Format Landscapes

A large part of my Fine Art Photography Collection is the complete opposite of what I do in my commercial work: it is slow, quiet, analog, painting like and mostly wide spaces. Discovering places while driving with my 1965 Plymouth Barracuda, I create painting like photographs with multiple exposures. I am using a large format analog 4x5 inch camera and analog film to create my photographs. The film is processed and scanned. The photographs are getting cleaned of dust and color adjusted. No other alternation is being performed. The final art pieces are oversized Kodak prints behind acrylic glass, floating on the wall. 

Jared Della Valle, architect, developer and art collector in New York about my 4x5 series: 
"We were looking for just the right art for our public spaces at 185 Plymouth/NY and found them with Poby’s ethereal photos of the Manhattan Bridge and Brooklyn Navy Yard. Both the multiple exposure and scale of these photographs draws you in and connects you to the industrial history of the Brooklyn waterfront. They remind me of why I fell in love with Brooklyn 20 years ago."

Poby Fine Art Newspaper with large photographs and stories behind. Download here. 

 
 

Petey's Repair Shop

Train Out West

Train Out West

Castle Neuschwanstein

Manhattan Bridge

Sheep In Open Field

New York Exhibit at Chefs Club

Chefs Club, NY is one of the leading restaurants in New York City. With its unique concept of inviting the best chefs from all over the world to perform at Chefs Club for a week, it is always a new adventure to eat here. Needless to say, I am super thrilled to have the opportunity to show my art here as an artist in residence.  On Sept 20th I had my reception and it was just beyond my imagination.  An evening filled with art, wonderful talks, smiles, laughs and happiness. What a location to have an exhibit opening! Not the usual plastic cup and cheap wine, rather best french champaign with oysters and other excellent little bites. Stephane and his whole crew were absolutely fantastic and spoiled everyone who came to see my large format photographs. Even an extra menu was created for this evening ( see below ).

I selected four motifs of my series 'The Barracuda Driver'. These are a painting like photographs created with multiple exposures on 4x5 large format reversal film. The photographs are printed on Kodak paper and mounted behind acrylic glass to float on the walls. All photographs are limited editions and come in different sizes.

Manhattan Bridge  |  multiple exposure on 4x5 reversal film 48x72

Brooklyn Navy Yard Cranes    |  multiple exposure on 4x5 reversal film  38x58

Grand Canyon with Cloud   |  multiple exposure on 4x5 reversal film 40x53

Manhattan From Pier One    |  multiple exposure on 4x5 reversal film  38x50

The menu at Chefs Club, specially curated for this evening.